Incredibox — interactive human beatbox


Incredibox version 3

Well, after that epic political post about the Scottish independence referendum yesterday, here something a bit more fun to put a smile on your face, or give you something to listen to while you’re up all night listening to the results programme on the telly.

I can’t believe I’ve not blogged about Incredibox before. It’s fantastic and never fails to cheer me up!

Incredibox is an interactive beatboxing web application (that requires Adobe Flash) where you drag and drop different symobls onto the chaps as they appear from the right. The symbols tells them what to sing, with categories split into beats, effects, melodies, voices, and other things depending on which version you play around with. You then just chop and change to create new combinations and new tunes.

I love it, and there are now three versions. Version three is linked to above, here are the other two:

Incredibox version 1

Incredibox version 1

Incredibox version 2

Incredibox version 2

Chord! guitar app for Android and iOS

Chord! The definitive guitar app.

Any chord, all the fingerings!

I don’t get to play my guitar as much as I did before I had children, or at least I haven’t yet made it a priority. I have a couple of acoustic guitars (a four-string bass and a six-string electro-acoustic) sitting in my study behind me which I pick up now and then and play along to a song on my PC, or I sit in my chair with my guitar and play whatever comes into my head.

The reality of having children is that I have less time to dedicate to my own projects (which I’m not complaining about, I love spending time with my three boys) so I have to choose which I want to focus on. Right now I’m working on a couple of websites: one for me, the other for the lovely Jane. But somewhere on my backlog there is mention of my guitars. One day…

When that day comes I have a shelf-load of guitar books; some books on theory and technique, more, however, note-for-note tablatures of some of my favourite albums and artists. I also have this application on my phone: Chord!

Chord! is the closest thing I’ve been able to get for my beloved Chord Magic by Andy Gryc, which was a 16-bit MS-DOS application from the mid-1990s. What I loved about that was I could dial in absolutely any chord, at any point on my fretboard and it would show me the fingerings. Or if I found a cool-sounding chord while jamming, I could indicate on the virtual fretboard which notes were being played and Chord Magic would tell me the name (or variant names) of the chord.

You can do much the same on Chord! Unlike many applications it’s not just a dictionary of chord positions, it knows music theory so it calculates everything on the fly. It’s been such a useful tool already, and it looks great on a tablet too.

You can buy Chord! on the Android store (£2.99) or on the iTunes app store (US $4.99) or visit

Sting—Fields of Gold

I know I’m a metalhead, but this is just such a beautiful and perfectly written song.

You’ll remember me when the west wind moves
Upon the fields of barley
You’ll forget the sun in his jealous sky
As we walk in fields of gold

So she took her love
For to gaze awhile
Upon the fields of barley
In his arms she fell as her hair came down
Among the fields of gold

Will you stay with me, will you be my love
Among the fields of barley
We’ll forget the sun in his jealous sky
As we lie in fields of gold

See the west wind move like a lover so
Upon the fields of barley
Feel her body rise when you kiss her mouth
Among the fields of gold

I never made promises lightly
And there have been some that I’ve broken
But I swear in the days still left
We’ll walk in fields of gold
We’ll walk in fields of gold

Many years have passed since those summer days
Among the fields of barley
See the children run as the sun goes down
Among the fields of gold
You’ll remember me when the west wind moves
Upon the fields of barley
You can tell the sun in his jealous sky
When we walked in fields of gold
When we walked in fields of gold
When we walked in fields of gold

My albums of 2012

albums of 2012

This year was a pretty frugal one for me in terms of album buying, but a very prosperous one in terms of free albums acquired on Freecycle. I added only 15 albums and EPs to my collection, and five of those were free (but not free as in pirated!).

Unlike last year’s run-down, this year I’m counting down from 10.

10. How To Kill A Zombie (HTKAZ)—The Uprising EP


How To Kill A Zombie is a death metal band from right here in Fife, Scotland. The guitarist, Chris Marr, is a friend of mine from St Andrews.

I’d heard a few demos of the band before I bought their EP, and I narrowly missed seeing them live here in Anstruther in 2011, but I sustained a back injury the afternoon before their gig. I need to make a point of seeing them live in 2013.

Musically they remind me of elements of old-school, British thrash band Xentrix, American thrashers Lamb of God, and God Forbid. Their songs are very well written, structured, and played. This is a band that definitely deserves a wider audience.

My current favourite track on the EP is track 2, ‘Revolution’.

9. Steve Lawson—11 Reasons Why 3 is Greater Than Everything (Remastered)


Strictly speaking this isn’t a 2012 album, it’s a 2011 album that was remastered and re-released as a free download. (I’m sure Steve will correct me if I’m wrong.) I should also declare that Steve is a friend, not that that guarantees that I’ll love everything that he puts out.

Steve Lawson is a critically acclaimed solo bass player. Which somehow seems to do him an injustice. It might be better to say that he’s a critically acclaimed musician who happens to express himself using a bass guitar and a floor-full of technical gadgetry that enables him to accompany himself.

This is an album that I should play more. As with much of Steve’s music, it’s beautiful, gentle and thought provoking. (Unlike the harmonica solo performed by a four year old that I’m listening to in the background while writing this!)

My stand-out tracks on the album are the opening two tracks: ‘A year afloat’ and ‘Travelling north’.

8. Dodgy—Stand Upright in a Cool Place


Dodgy’s Free Peace Sweet album was pretty much my soundtrack of 1996. I’ve had a soft spot for Dodgy ever since, but had never seen them live until this summer when they rolled into Edinburgh and played a blinding gig in a tiny venue backing onto Waverley railway station.

This is a fabulous return to form for the English three-piece power-pop band; their first album since reforming in 2007. The songs are fun, complex and layered. It’s a rare album that lifts my spirits quite as much as this one does. Brilliant stuff.

My current favourite track is ‘What became of you’.

7. Down—Down IV, Part 1: The Purple EP

Down IV

This is the one and only CD that I got for Christmas, last week. It has done well to sneak in to number seven so soon.

Down hail from New Orleans, Louisiana (NOLA) and comprise members of Corrosion of ConformityCrowbarEyehategodKingdom of SorrowPantera, and Superjoint Ritual.

This is the first of what is rumoured to be four EPs, supposedly to get the music out to fans quicker than waiting for a full album. And it’s a great start with Down’s signature laid-back, southern, stoner metal groove to each of the tracks with more than a tip of the hat to Black Sabbath on a couple (the opening of ‘The Curse’, anyone?).

My favourite track just now is ‘Misfortune Teller’.

Here’s the video for their first single from the EP, ‘Witchtripper':

6. Candlemass—Psalms for the Dead


I first got into Candlemass when I heard ‘Bewitched’ from 1987’s Nightfall on Tommy Vance’s Friday Night Rock Show on BBC Radio 1. Candlemass were my first introduction to doom metal, and to my mind/ear they are still one of the best. (Writing this reminds me that I’ve still got five of their studio albums still to buy.)

Psalms for the Dead is supposedly Candlemass’s final studio album, an album about the presence and absence of time, about leaving, goodbyes and farewells. And true to the album’s theme Candlemass parted company with their fifth vocalist, American, Robert Lowe shortly after the album was released, replacing him with Swedish vocalist Mats Levén (At Vance, Therion, etc.).

All in this is a great album… apart from the intro to the final track ‘Black as time’ which is a spoken-word piece and possibly one of the cheesiest intros to a metal song I’ve ever heard; and it reprises halfway through the song. If I can ever be bothered I’ll edit it out! Which is a real shame as ‘Black as time’ is one of my favourite tracks on the album.

5. Prong—Carved into Stone


If there is a band listed here that deserves to be better known then it’s Prong. Fronted by Tommy Victor (who has also performed with Danzig and Ministry) the list of former band members is like a who’s who of alternative metal: Swans, Danzig, Fear Factory, Godflesh, Jesu, Killing Joke, Murder Inc.

There are a number of bands who can churn out fabulous riff after fabulous riff. Helmet is one, Prong is most definitely another. And this album is packed full of them. If I could be in any metal band on the planet then I’d want to be in Prong. I would never get tired of playing their twisting, heavy, melodic riffs.

My current favourite track is the friendly-sounding ‘Revenge… best served cold’.

4. Stone Sour—House of Gold & Bones, Part 1

Stone Sour

This is the fourth studio album from Stone Sour, featuring Slipknot front-man Corey Taylor and guitarist Jim Root (if you don’t include the special edition of Come what(ever) may) and it rocks!

If you like your metal melodic, heavy and thought-provoking with a few dalliances into acoustic ballads then Stone Sour is the band for you.

This album is the first part of a double, concept album. It’s a reflection of how crazy this year has been that I’ve still to read the lyrics and the booklet to figure out what the plot is.

My favourite song currently is ‘Tired’, simply for the opening riff.

3. Jessica Curry—Dear Esther Official Soundtrack

Dear Esther

For the last few years I’ve bought the latest titles into the Call of Duty or Battlefield PC games franchises. This year (until I received LEGO The Lord of the Rings in late November) has been about only one game: Dear Esther.

Set on a remote and abandoned Hebredean island, this is not so much a game as an interactive novel. It is simply the most beautiful game that I’ve ever played, and I suspect will ever play. Each time I’ve experienced it (not just played it but even watching walkthroughs on YouTube) it left me feeling contemplative and… I guess, in awe. It is quite astonishing.

And the soundtrack simply adds to the game’s beauty. It is hauntingly beautiful, and quite spooky in places, particularly if you’re listening to it in the pitch black, in bed, as I have done on more than one occasion this year.

There is a free version of the soundtrack available, taken from when the game was a mod rather than a standalone release. I also bought the full, final soundtrack which is slightly different. I only wish there was also an audio book version that included Nigel Carrington‘s perfect voice-over.

2. Storm Corrosion—Storm Corrosion

Storm Corrosion

This is an album that I had been looking forward to for quite some time: the collaboration between Opeth frontman Mikael Åkerfeldt and Porcupine Tree frontman Steven Wilson.

The resulting album, the self-titled Storm Corrosion didn’t disappoint.

It’s a thoughtful and ponderous album that in many ways helps make sense of both the last Opeth album Heritage and Steven Wilson’s 2011 solo album Grace for drowning. It’s an album that you have to listen to again and again to get into, to unlock, to appreciate the various layers and subtleties. It could easily be a soundtrack, as demonstrated perfectly in the official video for the opening track ‘Drag ropes’.

1. Testament—Dark Roots of Earth


There are some who say that the Big Four of thrash (Metallica, Slayer, Megadeth and Anthrax) should have been the Big Five with Bay Area thrashers Testament filling that final spot. I actually think this album equals, if not betters, anything that the Big Four have put out in the last couple of years. This is a great metal album.

The album kicks off with the adrenaline-fueled ‘Rise Up’, tanks through ‘Native Blood’, before slowing down a little with the melodic but crushingly heavy ‘Dark Roots of Earth’ that reminds me in parts of 1992’s The Ritual, which is not surprising given Alex Skolnick’s return to the band.

The rest of the album is a lesson in how good old school thrash metal sounds with modern production.

One of my favourite aspects of this album is the bonus CD which includes a rather disappointing and incomplete cover of Queen’s ‘Dragon Attack’ from The Game (1980), and a rather better cover of Iron Maiden’s ‘Powerslave’, from the 1984 album of the same name.


Of course, this year I’ve listened to more than just the music that has come out this year. Whenever I listen to music on my PC, and I’m connected to the internet, the tracks are recorded to my account.

My top-ten most played:


  1. Metallica (367 tracks)
  2. Lamb of God (324 tracks)
  3. Opeth (321 tracks)
  4. Prong (246 tracks)
  5. Testament (223 tracks)
  6. Stone Sour (188 tracks)
  7. Big Country (184 tracks)
  8. Porcupine Tree (179 tracks)
  9. Paradise Lost (155 tracks)
  10. Iron Maiden (154 tracks)


  1. Lamb of God—Sacrament (341 tracks)
  2. Porcupine Tree—The Incident (334 tracks)
  3. Opeth—Ghost Reveries (293 tracks)
  4. Anthrax—Worship Music (281 tracks)
  5. A Perfect Circle—Mer De Noms (268 tracks)
  6. Mastodon—The Hunter (268 tracks)
  7. Godflesh—Streetcleaner (266 tracks)
  8. Slipknot—Slipknot (254 tracks)
  9. Opeth—In Live Concert at the Royal Albert Hall (234 tracks)
  10. Lacuna Coil—Karmacode (233 tracks)


  1. Storm Corrosion—Drag Ropes (15 plays)
  2. Paradise Lost—Never For The Damned (14 plays)
  3. Paradise Lost—Ash & Debris (14 plays)
  4. Storm Corrosion—Storm Corrosion (14 plays)
  5. Storm Corrosion—Hag (14 plays)
  6. Paradise Lost—Requiem (13 plays)
  7. Paradise Lost—The Enemy (12 plays)
  8. Paradise Lost—Praise Lamented Shade (12 plays)
  9. Paradise Lost—Beneath Black Skies (12 plays)
  10. Lamb of God—Ghost Walking (12 plays)